History - Beata es Virgo Maria
Feb 14, 2022 (rleduc)
Moved + to Intercede because of bad line break; something up with last key change; expand remark.
gabc
"(c4)Be(c)\u00e1(dffg)ta(f) es,<sp>*</sp>(f) Vir(fg~)go(f) Ma(f)r\u00ed(ghgh)a,(gf) De(f)i(fg) G\u00e9(g)ne(gf!gwhgh)trix,(hg) (;) qu\u00e6(f) cre(f)di(f)d\u00ed(d!ewfED)sti(ixFGhvig!hwiHG) D\u00f3(f)mi(FGhvGFg)no:(gf) (:) per(fj<)f\u00e9(jk)cta(j) sunt(hiHGhg) in(h!iwjh!iwjij) te(ih) (;) qu\u00e6(h) di(j)cta(ij) sunt(hhg/gf) ti(FGhvGFg)bi:(gf) (:) ec(f)ce(h) ex(h!iwj)al(g<)t\u00e1(f)ta(fdfss/fvECd) es(dc/ded) (,) su(c)per(d) cho(fgf)ros(fe) An(fh)ge(ixhjHGhwiHG)l\u00f3(FGhvGFg)rum:(gf) \u2020(;) \r\n<sp>+</sp> In(f)ter(h)c\u00e9(h!iwj)de(g) pro(f) no(f)bis(bxgffd/fc/dccO1b) ad(c) D\u00f3(df)mi(f)num,(fe~) Je(f!go1!hv)sum(ixhjHGhwiHG) n\u00f3(FGhvGFg)strum.(gf)(z0::c3)\r\n<sp>V/</sp> A(h)ve,(hiHssfgf) Ma(h)r\u00ed(h)a,(hi) gr\u00e1(hf)ti(fi)a(gh) ple(hg!hwihi)na,(ih) (;) %quilisma at plena; fixed pitch at Ave Maria for key change;\r\nD\u00f3(hg/hg)mi(gf)nus(hi) te(hg!hwihGFg)cum.(gf) (z0::c4) %quilisma in te;\r\n<sp>+</sp> In(f)ter(h)c\u00e9(h!iwj)de.(g) (::c3) \r\n<sp>V/</sp> Gl\u00f3(h)ri(h)a(hihssfgf) Pa(hf)tri,(fi) et(gh) F\u00ed(h)li(hg!hwihi)o,(ih) (;) \r\net(h) Spi(h)r\u00ed(hg/0hg)tu(gf)i(hi) San(hg!hwihGFg)cto.(gf) (z0::c4) %wholesale replace GP just to be sure;\r\n<sp>+</sp> In(f)ter(h)c\u00e9(h!iwj)de.(g) (::)"
remarks
Error in source; key change at Verse results in wrong notes at -ve Maria - tone should match the GP. Because line breaks may differ, I've moved the key change to the start of the verse, with key changes for the repeat Intercede; those could be retypeset in clef (c3) a third lower if that bothers the user; I prefer to have the prompt for the key change before my eye makes the jump to the repeated portion.
This chant will be awkward in any key due to low notes in the R/ and high notes in the V/ and GP.